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Anmeldelse: bind 4 - fodbold

Anmeldelse: bind 4 - fodbold


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Denne officielle historie viser Arsenals historie fra starten i 1886 helt op til den første hele sæson på det imponerende Emirates Stadium. Det beskriver, hvordan Dial Square blev Woolwich Arsenal, flytningen til Highbury, Herbert Chapmans inspirerende lederskab, den berømte Double i 1971, det spændende titelløb i 1989, den anden Double i 1998, den ubesejrede sæson 2003/04 og flytningen til deres nuværende hjem. Der er en komplet statistisk oversigt over europæiske og indenlandske spil og dybdegående funktioner om derbyer i Nord-London, 1930'ernes stjerner, Arsenal-landskampe, holdet fra 1971 og den moderne franske forbindelse.

I årene siden Preston spillede deres første kamp i Football League, har hundredvis af fodboldspillere trukket på en Lilywhites-trøje for at repræsentere klubben i førsteklasses konkurrencekampe. I dette rigt illustrerede, enormt informative opslagsværk har Dean Hayes detaljeret karrieren for hver enkelt af disse spillere, uanset om det er husnavne eller mænd, der kun lavede en håndfuld optrædener på Deepdale. Bogen er i høj grad illustreret, og forskellige statistikker er inkluderet for at supplere karrieredetaljerne for spillerne. Prestons allerførste tyve målscorere vises sammen med udseendestatistik, og klubbens ledere har deres egen sektion.

The Who's Who i Aston Villa er en omfattende guide, der lover at bilægge eventuelle tvister blandt klubbens tilhængere en gang for alle. Pakket med fakta og statistik indeholder den profiler af hver Villa -spiller, der har optrådt i en konkurrencedygtig kamp for holdet siden 1879, året hvor klubben første gang kom ind i FA Cup. Siden da har nogle virkelig store spillere været tilknyttet klubben. Disse omfatter: pladeudseende-maker Charlie Aitken; Colombiansk angriber Juan Pablo Angel; 1890'ernes stjerner Charlie Athersmith og Jas Cowan; planmæssig midtbanespiller Gordon Cowans; hård fyr forsvarer George Cummings; 1957 FA Cup-vindende kaptajn Johnny Dixon; mangeårige midterhalvdel Allan Evans; Walisiske internationale målscorer Trevor Ford; 1890'ernes målmand Billy George; målscorer suveræne Harry Hampton; mangeårig spiller, manager og instruktør Eric Houghton; Irsk dobbeltakt Peter McParland og Con Martin; skipper Dennis Mortimer, der førte siden til ligamesterskab og europacup -herlighed i begyndelsen af ​​1980'erne; efterkrigstidens målmand Joe Rutherford; 80'ernes stjerner Gary Shaw og Nigel Spink; indflydelsesrige 30'ers halvback Alec Talbot og Joe Tate; Billy Walker og Pongo Waring, to af klubbens største målscorer nogensinde; og Europacupens sidste helt Peter Withe. Ud over at give fuldstændige detaljer om disse legender og mange andre, profilerer denne uundværlige guide også de mænd, der har styret Villa gennem årene, herunder nuværende gaffer David O'Leary, Joe Mercer, Graham Taylor, Graham Turner, Ron Saunders og Alex Massie . Med sjældne fotos af Villa -helte i fortid og nutid, Who's Who i Aston Villa er afgørende læsning for enhver supporter, der ønsker at vide alt, hvad der er at vide om denne Premier League -klub.

Bogens indhold giver et væld af oplysninger til det store antal fans, der er interesseret i historien og arven på britiske ligaer, og er også praktisk og nyttig referencekilde for fans, der besøger grunde rundt om i landet. Dette er en seriøs og saglig bog, der dog behandles på en attraktiv og tilgængelig måde.


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Fuld download Komposition: Fodboldspiller/sportstema Wide Rolled Composition Book 7,44 X 9,69, 100 ark, 200 sider, Bog til skole, drenge, piger, børn, lærere og studerende, (Composition Notebooks: Wide Rolled) bind 39 - Elle Books | PDF Online

Fodboldspiller/sportstema Bred styret sammensætningsbog 200 ark, 100 sider, 7,44 x 9,69 (18,898 x 24,613 cm) Paperback, mat omslag Giv op de kedelige sorte og hvide notesbøger Lad dine notesbøger skille sig ud fra resten. Perfekt til notater, journalisering eller til din specielle dagbog

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Download komposition: Fodboldspiller/sportstema bredt sammensat bog 7,44 x 9,69, 100 ark, 200 sider, bog til skole, drenge, piger, børn, lærere og studerende, (komposition notesbøger: bredt styret) bind 39 - Elle bøger | PDF

Relaterede søgninger:

Råd til unge fodboldspillere

Sammensætning: Fodboldspiller/sportstema bredt sammensat bog 7,44 x 9,69, 100 ark, 200 sider, bog til skole, drenge, piger, børn, lærere og studerende, (kompositionbøger: bredt styret) bind 39

Fysik og kropssammensætningskarakteristika ved det indiske universitet

Sådan holder du kropssammensætningen i skak for fodboldpræstationer

Somatotype og kropssammensætningskarakteristika for indisk - IDOSI

Muskelegenskaber og kropssammensætning - CORE

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Kropssammensætning og knoglemineral densitet af kollegial amerikaner

Kropssammensætning og fitness - Topend Sports

Social netværksstruktur og sammensætning i tidligere NFL -fodbold

Fodbold: Karriere og et essay om spillereglerne

Essay om mit yndlingsspil Fodbold for studerende 1000+ ord

FORHOLD TIL REAKTIV STYRKE OG - SPRINZ - AUT

Nogle semi-pro fodboldligaer har lavt. De fleste semi-pro fodboldspillere får ikke betalt for at spille.

Fodbold, spil, hvor to hold på 11 spillere, der ved hjælp af en hvilken som helst del af deres kroppe, sporten kan spilles næsten overalt, fra officielle fodboldbaner.

I den nationale fodboldliga (nfl) har hvert hold 53 spillere på sin liste. Kun 46 af disse spillere kan klæde sig i uniform og spille i et spil. Skader, evner og personlige situationer kan påvirke, hvem der er en del af 46-mandslisten hver uge.

14. sep 2018 foretages der regelmæssigt kropssammensætningsvurderinger inden for sport til indtagelse af professionelle australske fodboldspillere i løbet af en sæson.

1. februar 2021 i 303 tidligere fodboldspillere og 269 os mænd, fandt vi det netværk i kontaktsportsudøvere, der forstod rollen som sociale netværk.

Godkendt af: abbie smith-ryan kropssammensætning af amerikanske fodboldspillere.

Studerende *kropssammensætning fodbold antropometriske målinger af 65 college fodboldspillere.

Hævede snørebånd lavet af specielt klæbende materiale gør fodbolden lettere at gribe for at hjælpe spillerne med at opbygge deres selvtillid og forfine deres form.

14. dec 2020 hurling og fodbold i hele Irland, mens elitespillere deltager i nogle af verdens mest spændende, højt tempo, atletiske og fysiske sportsgrene.

Diego costa, benni mccarthy, gonzalo higuain og wayne rooney.

Kropssammensætning, såsom mængden af ​​kropsfedt og muskelmasse, kan også påvirke sportslige præstationer betydeligt.

Bliver overvåget af milliarder af mennesker over hele verden, og er nok verdens mest populære tilskuersport.

Udgivet kropssammensætningsanalyse blev udført på 28 division bl.a. fodboldspillere ved hjælp af tre forskellige.

Fodbold (også kaldet fodbold, især i andre lande) er den mest populære sport i verden og spilles i de fleste lande.

Hvad er nogle af fordelene ved at spille fodbold? du lærer, hvorfor amerikansk fodbold ofte kaldes gridiron-sporten? på grund af den sammensætning af en typisk fodboldbane og hvor.

Derfor påvirker fodboldspillernes kropssammensætning ikke kun deres sportspræstationer, men også deres helbred.

Download denne gratis vektor om fodbold isometrisk menneskesammensætning med konceptuelt billede af legeplads og fodboldspillere med farverige pile.

Gratis essay: Så længe jeg kan huske, har jeg været fan af fodbold. Fodbold voksede op i Europa og var en meget populær sport og blev spillet af hvert barn i sin personlige fortælling: en karriere som fodboldspiller.

Professionelle sportshold søger i stigende grad VR -simuleringer for at køre diagnostik på spillere. Men hvor nyttigt er det? af Henry St Leger 25. marts 2019 kan VR -træning gøre dig til en bedre atlet? for dem af os, der ikke naturligt er gaver.

At dyrke en sport har brug for en stor mængde lejlighed, energi og udholdenhed og er bestemt en stor beslutsomhed.

Kostindtag, kropssammensætning og ernæringskendskab til australsk fodbold og fodboldspillere: konsekvenser for sportsernæringsprofessionelle i praksis.

Denne undersøgelse evaluerer fysik og kropssammensætningsvariabler for indiske fodboldspillere på indisk universitet.

Fodbold er en populær sport, som holder spillerne sunde og disciplinerede. Det udvikler en følelse af holdånd og tolerance blandt dem i deres sind.

Fodbold er ikke et spørgsmål om liv og død, det er vigtigere end det - regningen er stram. Fodbold (eller fodbold) er en sport, hvor målet er at sætte en bold i målet.

På trods af at det ofte bliver omtalt som et svineskind, er en fodbold faktisk dækket med småstenskind eller okseskind. En fodbold, der bruges i sporten amerikansk fodbold, er en langstrakt oppustet gummiblære, der tilspidser til et punkt.

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Anmeldelse: bind 4 - fodbold - historie

Fischer, Joan (red.) / Wisconsin Academy anmeldelse
Bind 46, nummer 4 (efterår 2000)

Miles, S.A.
Lady uovervindelig, s. 19-23

Copyright 2000 af Wisconsin Academy of Sciences, Arts and Letters. | For oplysninger om genbrug, se http://digital.library.wisc.edu/1711.dl/Copyright

& kopi Denne samling (herunder design, introduktionstekst, organisation og beskrivende materiale) er ophavsretligt beskyttet af University of Wisconsin System Board of Regents.

Denne ophavsret er uafhængig af enhver ophavsret til bestemte genstande i samlingen. Fordi University of Wisconsin Libraries generelt ikke ejer rettighederne til materialer i disse samlinger, bedes du læse ophavsret eller ejerskabsoplysninger, der følger med individuelle varer.

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I alle andre tilfælde bedes du læse vilkårene, der følger med varen, eller kontakte bibliotekerne.



Et nytår ’s genforening
Skrevet af Yu Li-Qiong
Illustreret af Zhu Cheng-Liang
Candlewick, 2011
ISBN: 978-0763658816

Denne realistiske fiktionsbøger illustrerer en nutidig livsstil, der angiveligt er utraditionel, men alligevel almindelig for mange familier i Kina, hvor familiemedlemmer bor adskilt på grund af jobforhold og mødes en eller to gange om året under nationale helligdage. Nytårsdag, som en national familiebegivenhed, giver sine deltagere en særlig taknemmelighed for familiesammenføring ud over spændingen ved at fejre en tradition i Kina. Lag af meningsfuld glæde i løbet af denne ferieuge skildres gennem en ung pige, Maomao, og hendes familie og deres mindeværdige fire dage i nytåret.

Maomao bor sammen med sin mor, fordi hendes far arbejder i et byggejob, der er langt væk, og derfor kan han kun komme hjem en gang om året under nytårsfesten. Den første morgen på nytårsdag står Maomaos familie tidligt op og laver klæbrige riskugler. En af boldene er den heldige med en skjult mønt. Maomaos mor laver mad og serverer "rykende varme klæbrige riskugler", og Maomao bider i formuemøntkuglen. Maomao lægger mønten i lommen til opbevaring og tager til nytårsbesøg. På den anden dag reparerer Maomaos far deres hus, fordi han ikke kan hjælpe sin familie, mens han er væk resten af ​​året. Maomao slutter sig til sin far og hygger sig meget med sin far på husets tag. På den tredje dag sner det "virkelig hårdt!" og Maomaos nabokammerater har en snekamp og laver en snemand. Da hun kommer sent hjem, finder Maomao ud af, at hendes formue er væk. Selvom hun går tilbage til gården og leder efter sin mønt, har hun ingen succes. Maomaos skuffende nat bliver i sidste ende reddet, når den heldige mønt er fundet. Den følgende morgen pakker hendes far ud, og Maomao giver sin formue til sin far og siger: ”Her, tag det her. Næste gang du er tilbage, kan vi begrave den i den klistrede risbold igen! ”

Nytårsdag er en af ​​de mest kendte traditionelle helligdage fejret af kinesere i USA. Det glamourøse udseende af pragtfulde traditionelle danse, fyrværkeri og eksotisk kinesisk mad er ofte fokus for det almindelige publikum. Denne bog inviterer læserne i forbindelse med nytårsdag til at genoverveje betydningen af ​​en traditionel ferie, der har udviklet sig til at imødekomme sociale og økonomiske behov, samtidig med at den opfylder sin traditionelle rolle. Mens tidligere familiesammenkomster ved nytår skulle være et gensyn mellem slægtninge og udvidede familier, har nutidige nytårsmøder udviklet sig som en af ​​de få lejligheder, hvor en kernefamilie kan genforenes på grund af deres daglige arbejdskrav. Således skildres karnevalsaspekterne på nytårsdag som næsten sekundære i denne bog. Familiebåndet prioriteres frem for festlige forestillinger som dragedanse og fyrværkeri. Det, denne bog gør opmærksom på, er at vente, genforene og fejre nytårsdag sammen. Det fejrer et besøg en gang om året med en far og mindre indenlandske ritualer, der synes at være ens og alligevel unikke blandt hver kinesisk familie i denne bog. For eksempel bruger Maomao og hendes ven, Dachuns familie en rød konvolut til lykke velsignelse, mens Maomaos familie bruger formuemønten. Selvom dette er en lille indikation, er det vigtigt at anerkende en sådan mangfoldighed inden for en kultur. At dele om formuemønten og den røde kuvert under et nytårsbesøg kan synes at være en eksotisk praksis for publikum i USA, men det, der fremhæves i historien, er Dachuns deling om, at deres familie er sammen. At stå tidligt op for at lave en særlig heldig risbold og tilberede måltider omkring traditionen med feriemad viser en autentisk hjemmekulturobservation af det nye år. Familien tilbringer de dyrebare tre eller fire dage ikke kun involveret i høje nytårsritualer, men også for at reparere og male deres hjem og symbolsk vise den sande betydning af et nytårssammenkomst. Maomaos bindingstid med far på husets tag, noget hendes mor normalt ikke tillader, viser hvordan nytårsdag endnu er en mere speciel dag for Maomao.

Selvom nytårsdag er historiens fokus, er temaerne familiekærlighed, tålmodighed og opvækst gennem erfaring. Til sidst finder Maomao sin mønt og giver den til sin far og beder ham om at bringe den tilbage til det næste nytår. Dette illustrerer en overraskende moden og forstående ung pige, der trods sin unge alder signalerer til publikum, at hun måske opleves allerede i mange årlige farvel med sin far. Måske forklarer det, hvorfor “far er meget stille. Han nikker og krammer mig stramt. ” da han lytter til rådene fra sin datter. Ud over det universelle tema om familiekærlighed, utraditionel livsstil og skiftende feriemetoder skildres uskrevne implikationer af en bys samtid i naturen i alle illustrationer. Der er ingen stereotype skildringer af mennesker, som alle ligner hinanden. I stedet er der forskellige nutidige frisurer, stilfulde polstrede jakker, læderstøvler, farverige frugter på bordet, en moderne rygsæk, typer kæledyr, moderigtige børnetøj og tøjdyr og dukker på senge. Disse samtidige illustrationer viser kulturel ægthed i det kinesiske samfund i dag og i byen, hvor familien bor.

Den kendsgerning, at denne bog blev skrevet til publikum i Taiwan eller Kina, minder læsere om det stiltiende publikums virkelighed og bevidsthed om nytårsdag i Kina i dag. I USA er mange af vores skildringer af globale lande historiske, ikke nutidige og giver et folkeeventyr af et forældet Kina eller stereotype illustrationer af mennesker i fattigdom i Kina fra tidligere som den typiske repræsentation af kinesisk kultur. Denne historie blev udgivet i Taiwan i 2007, og en engelsk oversat udgave blev udgivet i USA i 2011. Illustratoren, Zhu Cheng-Liang og forfatteren, Yu Li-Qiong er begge indfødte kinesere og uddannede i Nanjing, Kina. Deres notat hedder det: ”Familien i denne bog er en fiktiv, men der er i virkeligheden over 100 millioner vandrende arbejdstagere i Kina, hvoraf mange arbejder hundredvis eller nogle gange tusinder af miles hjemmefra og kun vender tilbage en gang om året, for bare et par dage, ved nytår. ” Denne indsigt taler med en nutidig stemme om betydningen af ​​nytårsdag og er måske en indikation af sociale spørgsmål i den voksende kløft mellem de rige og fattige i Kina.

Denne bog kan læses ved siden af Tante Yangs store soja -picnic (Ginnie Lo, 2012), Bee-Bim Bop! (Linda Sue Park, 2008) og At dele en måne (Ruowen Wang, 2008) for at undersøge temaet om at styrke familiebånd omkring mad. Familiens deltagelse og madlavning er dynamisk orkestreret i disse bøger. Temaet om familiesammenføring og adskillelse kan udforskes på tværs af forskellige sammenhænge med Sittis hemmeligheder (Naomi Shahib Nye, 1994), Fra nord til syd (René Colato Laínez, 2010) og Besøgsdag (Jacqueline Woodson, 2002).


Anmeldelse: Lydstyrke

Ren stealth er så svær at udføre korrekt, at det ser ud til, at udviklere bevæger sig hen imod “improvisional stealth ” som den nye genre -norm. Spil som Far Cry 3 og 4, Skæmmet og Metal Gear Solid V: Ground Zeroes give spillerne en utrolig stor frihed, hvilket forhindrer de frustrerende øjeblikke, der opstår, når du mangler værktøjer til at kæmpe efter at være blevet opdaget. For at en ren stealth-titel skal lykkes, skal spillerne kunne prøve igen med det samme, mestre den robuste mekanik og have en klar kontekst for hver handling. Ikke kun gør Bind, det nyeste spil fra Thomas var alene udvikler Mike Bithell, lykkes på alle disse fronter, men det formår også at væve en interessant (dog lejlighedsvis dårligt skrevet) fortælling, at selvom den er futuristisk og dystopisk, har den en hel del virkelige temaer. På trods af sine få fejl, Bind er et af de bedste stealth -spil, der er udkommet i år og er måske det bedste moderne bud på PlayStation/N64 -æraen med grafisk troskab.

Bind fortæller historien om Rob Lockley (navnet ordspil er ude af kontrol her), en moderne Robin Hood, der i det væsentlige leverer sin robot fra de rige og giver til de fattige besked via et fiktivt bud på Twitch. Det er klart, at Amazons massive streamingfirma ikke er nævnt direkte overhovedet Bind‘s seks timers kampagne, men det er klart, at ideen om nogen live-streaming noget, der kunne ændre samfundets gang generelt, ikke er så svært at tro. Rob ’s AI -ledsager Alan, der er dejligt udtalt af Danny Wallace, guider ham gennem en række røverimuleringer med det formål at påvirke dem, der ser til at begå de faktiske forbrydelser, der bliver orkestreret gennem volumenimuleringen. Bind‘s kampagne består af hundrede røverimuleringer, der hver oversættes til ikke mere end fem minutter med ren stealth gameplay -lyksalighed.

Bind‘s overordnede tematiske elementer og fantastisk konklusion fremtræder som særligt spændende, men vejen, som spilleren tager for at opleve denne fortælling, er ikke særlig spændende. Dette skaber en bizar dikotomi, der hænger over denne særlige fortælling på den ene side, der er en fantastisk historie fyldt med fantastiske nutidige paralleller, på den anden side er der en fortælling, der er sjovere at tænke på efter det end faktisk er at opleve i øjeblikket.


Den gode nyhed for spillerne er, at det varige indtryk, der Bind‘s fortælling efterlader dig ganske imponerende, og i slutningen af ​​dagen vil du ikke nødvendigvis huske, om cutscenes er sporadiske, og dialogen er sjælden. Hvis du nogensinde har fundet dig selv spekuleret over de potentielle undergange af levende AI, de politiske konsekvenser af teknologi, der overskrider grænserne for moderne lov, et ord, hvor virksomheder har fuldstændig politisk magt og den indflydelse, som internetpersonligheder kan have på den større offentlighed, så ville du gøre dig selv en bjørnetjeneste og ikke boltre dig i denne foruroligende britiske fortælling.

Fortællende særheder til side, Bind spiller fantastisk, og selvom det lejlighedsvis kan frustrere spillere, har Mike Bithell og hans team af udviklere fundet ud af en måde at udfordre spillere tilstrækkeligt uden nogensinde at krydse grænsen til uretfærdigt område. Den grundlæggende gameplay -loop i alle 100 etaper (og i hver spiller, der er oprettet etape for den sags skyld) involverer at indsamle et antal flydende perler og aktivere mange låste barrierer for at aktivere en glødende port, der officielt afslutter den pågældende simulering. Lyder simpelt nok, ikke? Det store twist, som du måske har gættet, er, at dette er et stealth -spil og det hele, er, at du skal fuldføre scenen uden at blive dræbt af AI -fjender. Rob kan virkelig ikke kæmpe tilbage mod de forskellige fjender, der beboer alle disse simuleringer, med undtagelse af lejlighedsvis brug af en sort blackjack, der midlertidigt bedøver uanset hvilken fjende der er målrettet, så lusk er absolut navnet på spillet her. Selvom der altid er en klar vej gennem hver etape, er der ofte tidspunkter, hvor spillerne skal komme med en række beredskabsplaner på flugt, hvilket er det, der gør Bind sådan en speciel spiloplevelse. Nok kan Plan A virke helt indlysende, men har du evnen til at droppe den plan og komme med en helt ny løsning inden for et sekund eller to? Det er på denne måde det Bind er meget mere et mentalt spil end et af fingerfærdighed eller reflekser.

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At være, at dette er en isometrisk titel, der helt klart tager en hel del inspiration fra Metal Gear Solid: VR -missioner, kan du satse din nederste dollar på, at der er en række visuelle tegn, der til enhver tid holder spillerne opmærksom på deres omgivelser. Det ville ikke være et traditionelt stealth-spil uden klare visionskegler, veldefinerede skygger og tydeligvis illustrerede fjendtlige træk, og i disse afdelinger, Bind bestemt ikke skuffe. Alle de visuelle tegn, der hjælper dig i dine snigende sysler, styrkes af BindPolygonal grafisk stil, selvom de, der leder efter vanvittige 2D-visualiseringer eller hyperrealisme, sandsynligvis vil blive skuffede, der er noget særligt ved et spil, der er i stand til at modernisere PlayStation/N64-stilen med tidlige 3D-visuals. Sikker på, der er masser af aliasing i den håndfuld af scener, der spiller i hele 100 -scenekampagnen, men hvis du har nostalgi til slutningen af ​​1990'erne, Bind kommer til at ridse en kløe, som ikke mange titler kan nå.

Ud over Bind‘s 100 Core -niveauer, spillere får mulighed for at oprette deres egne scener og dele dem online med det store samfund. Mens det er lidt udfordrende at navigere til dette niveau i starten (alle, der leder efter en “Opret ” -indstilling i standardmenuen, bør vide, at muligheden for Rediger simulering kun er tilgængelig ved at forlade hovedmenuen), alle de værktøjer, der du muligvis har brug for at oprette din helt egen Volume er redegjort for. Indrømmet, der er virkelig ingen instruktioner til dem, der ønsker at dykke ned i denne skabelsesmotor, men hvis du er den type person, der vil narre med en redaktør, indtil du finder ud af det, er dette sandsynligvis spillet for dig . Den ene skuffelse med Bind‘s spilleroprettede etaper er den ægte mangel på kuration, der er til stede i øjeblikket. Afsnittet Personal Picks på markeringsskærmen er stadig ubeboet, og bortset fra at søge efter niveauer og rulle igennem efterlader filtreringssystemet meget at ønske.


Afsluttende kommentarer:

Bind er ikke uden sine fejl, men de højder, som den kan ramme fuldstændig squash, kan de mindre klagespillere have. En af de bedste rene stealth -titler i de seneste år, Mike Bithell og hans team har ikke kun fanget nogle af historiefortællingens magi, der skabte Thomas var alene så specielt, men de formåede også at fange de bedste dele af en genre, der ser en masse fejl. Med sit øjeblikkelige genstartssystem er der blevet indført mekanik for at forhindre frustration, hvilket ikke kunne være mere vigtigt for at skabe en solid stealth -titel. Uanset om du leder efter en historie, der kan kaste lys over, hvor samfundet kan gå frygteligt galt i løbet af de næste årtier, eller hvis du bare vil genvinde magien i Metal Gear Solid: VR -missioner, Bind er et af de spil, der viser, hvor seje uafhængigt udviklede spil kan være.


Soviet Cybernetics Review, bind 4, nr. 8

Sovjetisk forskning og udvikling rettes mod industrielle behov. Udover computere og automatisering er der stor opmærksomhed på energiteknik, elektronik, nukleare applikationer, kemi, jordvidenskab, økonomisk kontrol og mikrobiologi. Mikroorganismer er reagenserne i den første storskalaproduktion af protein fra petroleumkulbrinter. Automatisk diagnose af hjernetumorer var 85 procent vellykket ved computer, 90 procent ved diagnosetabel. Computere bruges kun lidt til regnskab. Ukraines videnskabelige/tekniske informationssystem indeholder en fond med over 2500 algoritmer, programmer og brugervejledninger. Rumænsk elektronisk fremgang rapporteres. De sædvanlige klager over ineffektivitet, spild og forsinkelse af automatisering vises, ligesom de sædvanlige rapporter om besparelser. Tbilisi fremstår som et stort computerdesigncenter med Tbilisi-1 procescontroller og M-1000, første af tredje generations modulære sovjetiske computere. BESM-3M læse-/skrivehoved slider bånd. Anden hardware diskuteres eller afbildes.


Den store undersøgelse

Jeg er tilbage i West Virginia efter en hektisk uge med at prøve at få alt gjort hjem. Gode ​​venner hjalp virkelig hele vejen. Så blogmæssigt, når jeg først har slået mig ned her igen, vil det være år for år med FSR endnu en gang, med lejlighedsvise poster andre steder. Denne gang er det FSRs 1958 bind. ------- 1958 havde 110 sager listet [ikke talt nogle få UFO-klingende ting fra 1800-tallets "scrapbøger", som de lejlighedsvis udskrev.] Rapporterne begyndte at sprede sig lidt mere [ud over Keyhoe-Land] i dette år. "Kun" to tredjedele af sagerne var "genstande", "lys" og radarkasser. Der var tolv fotofaser, de fleste ser alvorligt falske ud [med en yderst bemærkelsesværdig undtagelse]. Der var tretten CE3 -møder af meget blandet kvalitet, men ingen som jeg ville løbe til banken med. [noget herinde kunne være godt, selvom der ikke var nok detaljer til at fortælle om de intuitivt interessante]. Der var syv CE2'er, hvoraf fem var medlemmer af den berømte CE2e-m-bølge fra slutningen af ​​1957. Der var to mulige "engelhår" -sager, to sager om påståede udenjordiske meddelelser i radioen, og en sag, som jeg ville placere i min kategori Høj-mærkelighed. Min intuition er, at du kunne tage de rapporterede sager, få de bedste data om dem, der var til rådighed, sile de tyve bedste ud og finde ud af, at du kunne gå ind i enhver skeptisk krig med de tyve og vinde i et fair spil. Det er fordi du ville blive forankret af et par af de mest magtfulde sager i litteraturen. -------------------------------------------------- -------------------------------------------------- -------------------------------------------------- -
Billedet til venstre er et af dem. De fleste af jer vil genkende det med det samme som en af ​​serierne taget af et brasiliansk videnskabsskib i det internationale geofysiske år lige uden for havnen ved Isla di Trindade, Brasilien i begyndelsen af ​​1958. Jeg har hørt mange skeptiske bemærkninger om disse fotos. Bemærkningerne er 100% lort. Der er en stor mængde dokumentation om denne hændelse, og fortællingen om, hvad der skete der, kan forsvares fra start til slut. På grund af al dokumentation og den let forståelige historie om, hvordan filmen blev håndteret [helt op til inddragelse af præsidenten i Brasilien], kan du betragte disse som "Anchor Case" for UFO -datakategorien "Film Evidence" [ måske endda mere end McMinnville, Tremonton, Edwards AFB, flere Moonwatch -billeder, et al]. Da gode UFO -filmbeviser er så svære at finde frem til, er det skatte. ---------------------------------------------------------- ------------------- Også nævnt i dette bind var sager som Levelland [Anchor Case for CE2em's], James Stokes CE2em/fysiologisk, Elmwood Park, IL politirapport , rapporterer vagterne om White Sands Proving Grounds, rapporten fra Aussie-astronomer ved Mt. Stromlo Observatory, Lakenheath AFB Radar-Visual og hændelsen af ​​Sir George Jones, en af ​​Aussie Air Power's flyttere og ryster i krigen . Der var også flere andre gode. -------------------------------------------------- ---------------------------------------------------------- ---------------------------------------------------------- ---------------------------------------------------------- ---------------------------
En af mine foretrukne, og jeg tror ikke kun undervurderet, men i det væsentlige glemt, tilfælde blev rapporteret [to gange] i FSR i år. Det er sagen illustreret til venstre. Den 4. september 1957 stødte fire jetfly, der blev styret af portugisiske luftvåbnets officerer, på en stor genstand, formet som en buet "bønneskal", der bevægede sig mærkeligt. Det ville udsende mindre genstande som gule BOL'er, som ville bevæge sig hurtigt omkring den større ting. Denne begivenhed foregik hovedsageligt over spansk luftrum, da flyvningen vendte tilbage til sin base nær Lissabon. Kaptajn Jose Lemos Ferreira besluttede at vende sin eskadrille mod det store objekt for at undersøge. "Flere minutter på vores kursus opdagede vi en lille cirkel af gult lys, der tilsyneladende kom ud af tingen, og inden vores overraskelse gik, opdagede vi 3 andre identiske cirkler til højre for tinget. Hele bevægede sig, og deres relative positioner ændrede sig konstant og nogle gange meget hurtigt ... Da vi var i nærheden af ​​Coruche lavede den "store ting" pludselig og meget hurtigt det, der lignede et dyk, fulgt op af en stigning i vores retning. Så gik alle vildt og brød næsten formation i færd med at krydse frem og tilbage af UFO ... Så snart vi krydsede alt forsvandt alt og senere landede vi uden yderligere hændelser. " Selvom det muligvis var en tilfældighed, registrerede den portugisiske videnskabelige station i Coimbra store variationer i deres aflæsning af magnetfelt under denne sidste del af mødet. Der er to yderligere "sociologiske" ting ved denne sag. Kaptajn Lemos Ferreira var ingen almindelig jetpilot. Om ti år eller deromkring ville han blive chef for hele det portugisiske luftvåben. Also [perhaps because of his obvious talent and the respect already given him] he was allowed to make his own personal detailed report to an FSR correspondent. Captain Lemos said: from now on don't give us that old stuff about Venus, balloons, aircraft, and the like. [saying, it seems to me, these words for the "benefit" of the USAF]. Amen, sir, and I salute you.-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
There were a handful more worth commenting upon, but in my usual lazy way, I'm going to cut this a little shorter than a book chapter and just talk about two more. The first relates to the gentleman on the left. He is Lieutenant Colonel H.C. Petersen, and he was the chief of UFO investigations for the Danish Air Force. He was a unique character to say the least. Petersen not only had the formal UFO job, but was a completely convinced extraterrestrialist from maybe the beginning. He immediately began "sharing" Danish UFO cases with everyone who wanted to listen and founded a quasi-civilian UFO investigation organization on the side [which became Denmark's major civilian UFO group.] So, because Petersen was such an "enthusiast", we need to be a little careful with cases coming just from him. In the following case[s] we might be on solider ground because they are two incidents happening on the same date [November 20,1957] and about the same time, one military and one civilian. Both reports are about luminous objects seen by many people which flash colored lights and move and hover. These incidents are from the Isle of Bornholm. What makes this worth mentioning though is the civilian report from the same area the next day. Here the witness saw a triangular object flying very low and close. The top of it was transparent. Inside this dome were two human figures. In a nearby area, two other persons saw what they described as a triangular shaped object with beings moving inside. And in a third town, two more people saw a "T" shaped object without the beings. We were having a little flap of close encounters in Jutland with at least one old-fashioned CE3. Petersen was so impressed by what was going on that he gave out "advice" to the readers to not be afraid of UFOs but if they got a chance to approach a landed one to spread out their arms in a peaceful gesture and think friendly thoughts. [sort of mind-bogglingly surprising on many levels of thinking about it].----------------------------------------------------------------------------------------------------------------------------------The other story that I suppose that I can't get away without describing is the one that I call a high-strangeness case--the Cynthia Appleton encounter. Men. the next post will be soon enough as my back is breaking now from this hard seat, and it's time to go to a friendlier chair. So, tomorrow or the next day, folks---blessings till then.

3 comments:

Hey, Mike,
I think this must be the Hans Petersen I met at a UFO conference in Mexico in 1977. He had an abrupt manner and a pronounced impatience with anybody who didn't buy into George Adamski's yarns, which were at the center of Petersen's UFO universe. He was one of the two hardest-core Adamski-ites I have encountered, the other being Adamski's Swiss associate Lou Zinsstag.

Having one's memory jogged in this fashion causes me to wonder how many of the younger generation have any but the vaguest notion of who Adamski was. At one point, though it may be hard to believe, he was a huge presence in any UFO discussion. Everybody who was interested in UFOs had an obligation to have an opinion on the man.

& quot. you could go into any skeptical war with that twenty and win in a fair game." I totally agree. If the game was fair, your blog would have no reason for being, I'm thinking. The 'fair game' is impeded by government, imo. Blogs like The Big Study and others serve a most useful purpose by slapping the government upside the head. I am reminded of Sallust's quote: " What prevents us from telling the truth, laughingly?" Please keep blogging. Hilsen.

To Richard: many thanks-----To Jerry: actually I have thought about that knowledge gap problem across the generations, but have decided to ignore it. The reason is that no matter what one does, there would still be more to tell. My [brilliant] solution to this is to just go forward and if anyone becomes interested they will look it up and learn. I try to give enough background on things that I feel are important for us to know, but on things which, in the end, aren't important, I've been letting them slide. Of course that's my choice on importance and so I'll be right about 50% of the time on coin-flips. When I start missing ALL the coin flips, I'm going gremlin hunting.


The emergence of PaSTIS was a bottom-up process, a sort of alchemic blend, the contingent product of a work of ‘heterogeneous engineering’ which was the response to a situation: the Italian university system. One of the positive circumstances that helped to develop and sustain PaSTIS has been the growing of a wider STS movement in Italy, making our local unit an intersection in a wider process of ‘co-evolution’ involving an entire national academic community.

The TIPS project is based on mass media and online newspapers as a source for analysing the representations of science and technology in the public sphere mapping its relevance and evolution. It monitors the eight most important Italian newspapers, in a time span ranging from 2010 to yesterday. In 2014 the TIPS platform also began collecting two UK, two US, one Indian and seven French newspapers. TIPS calculates ad-hoc ‘techno-science indicators’ based on more than 2.6 millions of documents: it computes ‘salience’, ‘prominence’ and ‘presence’ of techno-science. TIPS also provides a ‘risk indicator’, operationalising risk as an ontological analytical dimension of public techno-science discourse.

The study of infrastructures in terms of “infrastructuring” and “infrastructuring work” represent a starting point for an in-depth disentanglement of the multidimensional process of technoscientific innovation and societal change. The project on Wireless Community Network led us to conceptualize bottom-up infrastructures as the emerging outcome by a heterogeneous process in which the mutual engagement of media activists, hackers and scientists turns a political project into an innovative digital infrastructure model. In performing our investigation on design and development in computing, we argued that infrastructuring is a field of heterogeneous activities and challenges extant relations, work positions, skills and hierarchies.

This year’s 4S/EASST annual meeting brought many tracks portraying the recent practices and activities in making, hacking, craft, do-it-yourself. One of them, organised by Johan Söderberg, Adrian Smith, and Maxigas, focused on digital fabrication. Track 011 looked at the conflicting nature of digital fabrication as it oscillates between democratising the future of technology production and design and its heritage in Computer Numerical Control (CNC) technologies and deskilling of workers. The ten papers portrayed the plurality and tensions in contemporary digital fabrication through a range of empirical cases and theoretical developments. In this short conversation, we reflect upon the identified tensions to discuss further the relevance of historical comparisons within this research context.

Inspired by the keynote plenary intervention of Madeleine Akrich on “Inquiries into experience and the multiple politics of knowledge” at the 4S/EASST Conference in Barcelona 2016, this article discusses the profile of an emerging perspective in STS research: a tinkering living laboratory of care. Moreover, it provides a closer examination of care theories and practices as they were addressed in three sessions from the same conference. A tinkering living laboratory of care is a source of knowledge “by other means”, it overpasses an individual way of thinking, and argues for collective-orientated theories and methodologies.

A short reflection on my involvement in the only panel at the 4S/EASST this year that took the Anthropocene as its theme. The panel asked contributors to think about the responsibility of academics involved in discourse around the Anthropocene. The piece uses recent events in the science fiction community to think about how certain forms of speculation might be an important element of responsibility.

The doctoral day which preceded 4S/EASST 2016 saw 50 researchers from around the world come together to discuss the complexities of a PhD “by other means” at Hangar, an art centre and medialab in post-industrial El Poblenou, a neighbourhood in Barcelona’s Sant Martí district. This paper explores the power-geometries of spatiality and history that characterize our experiences of Poblenou and also its influence on the urban fabric of Barcelona. The neighbourhood’s local struggles during successive revitalization and gentrification processes are explored, in the words of geographer Doreen Massey, as “complex web[s] of relations of domination and subordination, solidarity and cooperation” (1992: 81), the collective energies of which now inspire our own work as hybrid researchers in between worlds of theory, practice and community.

The topics of repair, care, and maintenance, which were featured across tracks at 4S/EASST, also presented a rejection of the notion of the hero. This development might seem an inevitable result, given that narrative aggrandizement is considered unscholarly. In STS we often question who gets to perform science, or seek to understand larger structures and groups of people who enabled certain innovations and inventions. However, casting light on previously-unsung members of a larger team also runs the risk of heroicising them. In this article, I reflect on two papers which indicated a sensitivity to this danger and hinted at an anti-heroic turn.

This article portrays my experience at the joint 4S/EASST conference 2016 held in Barcelona. It provides an account of the two pivotal moments that characterized my participation to the meeting, that is the postgraduate workshop and the track in which I presented a contribution. These two events share a similar quite radical approach to the conference motto — “science and technology by other means” — which, in turn, reflects the spirit that drove me to the conference.

This review considers the work presented by Luke Sturgeon as part of Track 070. The presentation, entitled, “The Citizen Rotation Office: An immersive and speculative experience prototype” discussed concepts including: the power of algorithms and their potential future in the development of smart cities the changing styles of urban dwelling – with particular relation to issues of permanency / temporariness in the housing market and the rise and character of state / corporate power in the everyday lives of citizens, with particular relation to control over housing, community experience and everyday purchasing ‘choices’ of individuals. The review focuses its consideration around the performance-style of the presentation given and how this develops concepts of diffraction, performatvity and material-discursivity found in the works of Karen Barad (2007) and Donna Haraway (2004) for the undertaking of critical research practice in the STS community.

This review is based on the discussions in the 4S/EASST conference around big data analytics and institutional practices in the regulation and governance of illegality and ‘potential risks’ through data-driven categorizations of social groups and communities. However, the possibilities of resistance, of agency and rights can be made through a set of different political practices on building consensus around policies such as transparency, open data, open government initiatives, and digital rights in connection with biometrics based human machine interactions.

Big Data has been attracting growing professional interest, and this has sparked intellectual curiosity and a sense of hope for exciting research within STS. In this piece I am surveying the discussions about data science and data practices at the recent EASST conference in Barcelona from the perspective of the opportunity for building a research practice at the confluence of STS and digital data. Some propose to bring the STS practices of research and analysis to data scienceby means of bringing either leadership or critique to the field. Others have taken the alternative path of embracing digital practices and taking up digital tools and programming for pursuing an STS agenda by other means.

Much data science related work was presented at 4S/EASST, demonstrating both the topicality of the subject as well as an enthusiasm of STS scholars to engage with this new phenomenon. The ongoing engagement of STS scholars with data science is paramount to counterbalance the considerable time and effort that are devoted to the technical advancement of data science. This essay builds on fieldnotes collected during 4S/EASST and identifies data-ownership, accountability, subjectivity-objectivity and transparency as topical themes for STS data science research. It then explores the definition of data science and data scientist through a short form digital ethnography.

An important, yet overlooked aspect of the field of Science, Technology and Society (STS) is the study of security technologies. In this article I speak of the necessity of regarding security actors as influential on Research and Development and how technologies are shaped by security interests. Various concepts from STS apply to the investigation of security technologies, therefore, the intersection between STS and security studies should become a more prevalent topic in the future. This article describes some of the central issues were raised regarding security studies at the 4S/EASST 2016 Conference in Barcelona.

This article refers to the main contributions emerged during the EASST conference, session T102. Everyday analytics: The politics and practices of self-monitoring.
Through provoking and personal reflections, this short paper analyses self-tracking activity of everyday life into two axes: the role of the self as a laboratory and the meaning of data as the degree of extrinsic reality. The purpose of realizing a self-knowledge through numbers involves several technologies and practices that are leading us toward a new version of the self.

Which horizons can we imagine for subjectivity in the global digital society? Which technologies of the self can somehow re-establish a relationship with the individual and collective self? How might the technical and scientific progress change, or even enhance, subjectivity? What do we mean when we say ‘digital subjectivity’? The session entitled ‘Digital subjectivities in the global context: new technologies of the self’ tried to answer some of these questions.

The 4S/EASST Conference in Barcelona provided a fantastic opportunity for early career researchers to not just present their research in front of a global audience of peers, but also great networking opportunities. This article tries to capture the ambience of the lunch and coffee breaks at the CCIB (Barcelona International Convention Centre) during the course of the conference, and how these breaks provide an interesting opportunity to interact with fellow academics and forge bonds that could result in future collaborations and friendships.

This is a summary report on the track “Beyond the single-site study: the Biography of Artefacts and Practices” at the 4S/EASST conference in Barcelona. The track brought together an international community of scholars interested in advancing methodology for a better understanding of the role of technology in society. After a brief introduction of the biography perspective and an overview of the talks presented in the track, the report will reflect on the intellectual contribution of the biographical perspective inspired by presentations in the track “Emerging ‘forms’ of life”.

This short review of the Track 091 ‘Exploring the role of materials’, sets out the key outcome of the track. The review draws out themes that lay under all the track talks, and the divisions the themes caused. The outcome of these themes was a set of theoretically informed questions on how to treat materials, where to approach practices, and also on what materials are. The review sets out some emerging avenues for future collaboration, highlighting the value of the conference in bringing together disparate sets of researchers focussed on similar narrowly specialised topics that might not have otherwise collaborated.

This essay was prompted by the author’s participation in the 2016 4S/EASST conference that took place in Barcelona. Session T153, in particular, on Don Ihde’s material hermeneutics offered an insight in the relation between Ihde’s postphenomenology, and Roman Ingarden’s aesthetics of art. This relation is briefly described in the text for the case of culinary [gustatory] aesthetics and the example of the Catalonian high-end restaurant
elBulli is presented as a potential case study.

Antimicrobial resistance (AMR) has arisen as a grand challenge and global problem confronting the world in the 21st century. AMR is truly global not only in the geographical-political sense, but also in that it runs across and proliferates through the complex interactions of human medicine and patterns of health care on the one hand, and veterinary medicine and the livestock industries on the other hand. Even though the ‘science-question’ seems rather subordinate at this point in the politics of AMR, STS has a vital role to play in researching and contributing to engaging this matter of pressing concern. Yet, it confronts STS with the need and the opportunity to engage more eagerly with other fields and communities of social science research, particularly the field of critical policy studies.

Organizing the track Infrastructures of Nuclearity in the context of the 4S/EASST conference in Barcelona was a novel and highly enriching experience for me. During the panel, I came to identify some important issues and threads for the future of nuclear studies in STS and its related disciplines. These include the role of the researcher in studying nuclearity and, second, the new wave of infrastructure studies and how it can feed into nuclear studies.

Couched within themes emerging from the broader whirlwind that was 4S/EASST, the track “STS and Planning” included a diverse set of presentations that offered an opportunity to reflect on planning research within an STS framework. Of particular interest to me was the openness to the types of knowledge that go into planning and the sometimes unexpected ways in which they perform. Many empirically rich examples showed how boundaries between familiar categories such as lay communities and professionals, expertise and personal judgement, scientific models and non-scientific judgements, are fluid and porous. The unpacking of ‘rational’ planning processes opened up room to consider how planning occurs in practice, and what planning may represent for different groups.

The International Panel on Social Progress is attempting to produce a reflexive and interdisciplinary perspective on social progress. While STS articulations of the role of experts, expertise, power, governance and the social construction of science and technology have found meaning in such an endeavor, the IPSP could further reflect on its knowledge production process so that the global community recognizes the products of this endeavor as credible and legitimate.

In this short essay I reflect on two 4S/EASST Barcelona conference events in which I participated: the “Governing Research Excellence” track and the postgraduate workshop. While thinking through the themes discussed during both events, I highlight that STS scholars, like any other researchers, are affected by research policies that define excellence increasingly narrowly. However, I suggest that STS researchers are very well-positioned to engage with this issue by examining not only the expertise, but also the “humanity” of those enlisted to produce research excellence, thus offering critiques of and alternatives to the excellence rhetoric and structures.

Scientific thinking and method have incredible potential to improve the world. To utilise it, a relationship between science and society needs to be positive and strong. Current post-truth environment, however, detracts from science’s legitimacy as a source of knowledge, worsening the perceived value of science in the society. At the conference, two relevant issues stood out for me the most: science communication and scientific research. Consequently, I formulated three questions to consider for science-society relationship: ‘Could we use museums as a platform for more direct engagement with science?’ ‘Could we improve science communication practices by a careful inclusion of lay knowledge?’ and ‘How to approach reproducibility crisis if open data practices are at best only part of the solution?’

Our conference track invited STS scholars to explore Open Science from an STS perspective and to discuss what STS can bring into the broader discussion. Open science is broadly defined as science that is transparent, accountable, and shareable, involving the participation of (all) relevant stakeholders in the scientific process. With this report we would like to highlight several discussion points of the broad spectrum from normative imaginaries of openness to undogmatic open practices. Therefore, while the emphasis of our remarks is on the diversity of enactments of openness, we can only present four snapshots of our track: co-production of knowledge in participatory settings, open data practices, scientific ethos and trust, and policy imaginaries of openness in research and innovation.

Based on the tracks “Open Science” and “Lives and Death of Data” at the yearly EASST/4S conference in Barcelona I make some remarks on how science studies analyse the so-called “open science” and the “lifecycle of data”. I propose that including ontological and historical aspects when studying these topics might benefit our understanding of the methodological, political, scientific or cultural determinants of the emergence of these categories, and also help unveil what our own roles as scientists are in shaping the things we then analyse.


Forbidden Hollywood Volume 4 Jewel Robbery, Lawyer Man,Man Wanted, They Call It SinWarner Archive Collection

Working for MGM Home Video in 1992, I remember editing a humorous sales promo for a new VHS line called "Forbidden Hollywood". It was an early introduction to the frisky delights of early 1930s movies that hadn't had all the saucy content scalded out by puritanical censors. Desperate to build audiences in the worst years of the Depression, the studios (un-)dressed their heroines in scanty costumes and played naughty games with double-entendre dialogue. When the Production Code was enforced the resulting repression squashed half the life out of Hollywood movies. Subject matter and human activity on screen had to be toned down for the proverbial Sunday School Picnic.

Warner Home Video has been first out the gate on DVD with branded lines that actually had some relevance to committed film fans, as in their ongoing film noir collections. The company's first three volumes of Forbidden Hollywood on DVD brought us salacious highlights, but also important examples of films about subjects that the censors swept from the screen -- the true face of poverty, the unfair plight of women, the social problem of drug addiction. A few films even touched on the undercurrent of revolution that was only stemmed by the New Deal.

Forbidden Hollywood Volume 4 takes us into sophisticated comedies in situations that the Production Code would never condone, starring some of Warners' most seductive stars. We know William Powell mostly from his Thin Man movies, but here he plays a suave seducer and a corruptible attorney. Kay Francis practically lived in the plush world of these movies we see her playing opposite Powell and David Manners, a leading man with a perfect '30s profile. We get a saucy turn from Joan Blondell and see Loretta Young juggling the attentions of three suitors. Til Volume 4 the series is transferred from a standard DVD release to the Warner Archive Collection -- more on that below.

All four films are from the election year of 1932, before Roosevelt took office and when (if the books are correct) the 'economic morale' of the country was at low ebb. But not all Pre-code pictures are naturalistic tales of life on the street. Because it stars Kay Francis, Jewel Robbery at first seems to be a knockoff of Ernst Lubitsch's sublimely seductive Trouble in Paradise -- until one realizes that it was released two months before that classic. "The Robber" (William Powell) is the dashing, nervy leader of a gang of Viennese jewel thieves, who cleans out a swank store. He also takes a diamond from customer Teri, a Baroness (Kay Francis). But their meeting begins a lengthy flirtation that equates theft with sex, and diamonds with desire. The Robber slips his loot into Teri's safe (more suggestiveness) and then uses his gang to fake various situations to maneuver Teri into his serial-seducer's bachelor pad. To the Robber's delight, Teri has no intention of remaining faithful to her dull husband. She even sends her present lover packing.

Jewel Robbery takes us into a sexy fantasy where a tuxedo-clad thief can't decide whether he seduces women to steal their jewelry, or steals jewelry to meet desirable women. Teri's best friend Marianne (Helen Vinson) is awestruck by the Baroness'es sexual daring, and Kay Francis obliges by addressing her come-on looks directly to the camera. Francis also wears a series of racy gowns that look more like lingerie, and bare her back and shoulders. Did millions of Depression-era women fantasize living such a carefree, erotic lifestyle.

The cops bumble about, especially with the incompetent security guard Lenz (Spencer Charters) doing things like carrying the Robber's loot to his car for him. The Robber keeps Lenz and other nitwit law dogs occupied by handing them "funny cigarettes", which turn out to be high-yield marijuana. Drug humor like this didn't return until the late 1960s - it's illuminating to see a specialist in crabby characters like Henry Kolker get the giggles while on the weed. David Niven's urbane jewel thief in the first Lyserøde Panter movie has a hint of William Powell's charm, but by 1963 the Code wouldn't let a mainstream screen lothario walk the walk, so to speak. When Powell's thief sweeps Francis off her feet, she stays swept.

An earlier Forbidden Hollywood volume concentrated on William Wellman, and three of these four pictures were directed by William Dieterle. Just a year or so into his American career Dieterle shows an affinity for light & racy fare. Screenwriters Erwin S. Gelsey and Bertram Bloch (the author of Dark Victory ) adapted a Hungarian play by Ladislaus Fodor, delivering at least one salacious bon mot per scene. Prepping the Robber's pad for Teri's visit, one of his cohorts orders a helper to close the curtains to an alcove containing a bed: "No, not yet. First they eat."

William Powell is back in a contrasting role in Lawyer Man, starring opposite the working-class Madonna Joan Blondell. She plays Olga, the faithful secretary to the honest attorney Anton "Tony" Adam (Powell). Tony helps immigrants in a noisy, crowded neighborhood on the Lower East Side. Unstylish but effective in the courtroom, Tony's court victories win him an invitation to partner with Bentley, an established uptown attorney. Things go well enough at first. Bentley's sister Babs (Helen Vinson again) shows a marked interest in Tony, much to Olga's chagrin. But the fancy job unravels when Tony takes a breach of promise case for Ginny St. Johns (Claire Dodd), a flashy showgirl. Ginny turns out to be his undoing -- the whole deal is rigged by political racketeer John Gilmurry (David Landau) as a way of getting back at Tony. Before he knows it, Tony's been indicted for unethical actions. To retaliate, he changes his tune and takes on every crooked case he can get. It's part of a plan to trump Gilmurry one more time. Olga sticks with her boss, but this time he goes way out on a limb.

Lawyer Man hasn't any shocking sex content beyond the silken trap Claire Dodd sets for William Powell. But it does give a rather subversive (true?) image of civic corruption. Political boss Gilmurry is only one bad brick in a city where everybody seems to be running some kind of racket. As soon as Tony opposes the entrenched crooks, he's a sitting target. His only real choice is between becoming a rich crook, or an honest poor attorney back in his old neighborhood.

Once again under William Dieterle's direction, Powell begins as a neighborhood dweller who wears a suit "that was good in 1919." His character arc is pretty interesting, as he retains his eye for the ladies whether operating as an idealistic loner, a gullible swell or a ruthless predator. Joan Blondell sticks by her man, even though Tony never recognizes that his secretary is perfect romantic partner material. The one other male that shows an interest in her is a casual masher played by none other than Sterling Holloway.

Man Wanted is the weakest entry in the collection, as it doesn't develop much farther than its opening question -- can a high-powered businesswoman take on a handsome male as her secretary? What happens when they become attracted to each other? The film gambles all on the magnetism between star Kay Francis and David Manners, an actor well known to horror fans from his appearances in the original Dracula, The Mummy og The Black Cat. Manners found success early in James Whale's Journey's End and has a plum role in William Dieterle's first American film, the interesting The Last Flight . Apparently he lost interest in Hollywood, for he quit outright at age 35 and never looked back.

I Man Wanted Manners' general appeal seems similar to Ben Affleck or Jon Hamm in Mad Men. His Tommy Sherman runs a sporting goods store with his best buddy Andy (Andy Devine) but jumps ship to become a personal stenographer, then trusted business associate, for magazine executive Lois Ames (Kay Francis). Lois runs her publishing empire night and day, and only infrequently touches base with her philandering husband Freddie (Kenneth Thomson), a polo-playing playboy who parades his latest paramour Ann (Claire Dodd again, that bad girl) practically under Lois's nose. Tommy has a long-suffering girlfriend in Ruth Holman (the adorable Una Merkel). Ruth takes it on faith that Tommy is staying true, but the close association and personal affinity felt by the boss and her assistant take their toll. At a hotel retreat, Tommy decides it's time to make his move. Meanwhile, that rotter Freddie comes to say goodnight to Lois so he can join Ann in her hotel room down the hall. Lois sees his extra key.

Actually released before the other William Dieterle pictures, Man Wanted toys with some creative forms of infidelity but opts for a morally conventional wind-up. Not that this is a bad thing - not all Pre-code movies challenged conventional morals -- but since not much else is going on the lack of bedroom developments comes as something of a letdown. David Manner is far more lively than in his walk-through performances in the Universal horror pix, while Kay Francis is convincing as a businesswoman who delights in being in control. Perhaps there is an interesting angle here -- the woman dominates the relationship, and the man does not feel sexually humiliated.

The final entry They Call It Sin gets us back in the game, so to speak, with a larger cast in a somewhat predictable but thoroughly entertaining show. The woo-bait on view this time is Loretta Young, one of the most beautiful women in early talkie Hollywood. Young apparently didn't just turn heads, her unique combination of facial features stopped men dead in their tracks. Here she plays Marion Cullen, a Kansas girl who plays the organ for church services and can't wait to literally get the hell out of Dodge. Being truly virtuous, leaving seems an impossibility until the visiting businessman Jimmie Decker (David Manners, Young's perfect counterpart in attractiveness) falls in love with her.

Their relationship stays chaste when Jimmie exits back to New York, not realizing that Marion is taking practically the next train out. The one itty-bitty detail that Jimmie omits is that he's already engaged to society doll Enid Hollister (perennial fifth wheel Helen Vinson again). When Marion discovers that her hopes are a cruel illusion, she disappears. A few weeks later she resurfaces again on the arm of Broadway impresario Ford Humphries (Louis Calhern), who promotes her songs but really wants to become her lover. Still smitten, Jimmie tries to re-involve himself in Marion's life. The one unselfish man in the equation is Jimmie's friend Dr. Tony Travers (George Brent), who waits quietly for an opportunity to convince Marion that he's the right man for her.

The hot title They Call It Sin isn't the best choice for this show, as Loretta Young's character never surrenders her honor, just her pride. Given Ms. Young's virtuous public image, even the fade-out in Kansas with Marion and Jimmie necking doesn't seem to imply sexual relations. The big conflict in the New York section of the film revolves around the womanizer Ford Humphries trying and failing to get Marion into his bed. The script by Lillie Hayward and Howard J. Green sees Marion stifled by the oppressive atmosphere back in Kansas, yet doesn't unduly criticize small-town values. Director Thornton Freeland is little more than a name now, but he also signed RKO's big hit Flying Down to Rio.

The film's only conventional target for criticism is show business. Louis Calhern's suave showman Humphries has a constant string of leggy hopefuls lined up outside his office. Adding a needed dash of fun to the proceedings is Una Merkel as Dixie Dare, a novelty dancer who encourages Marion to ambush Humphries for an audition. She ends up getting a job on Marion's coattails. David Manners' Jimmie is a generally a thoughtless dope, making it easy to guess that George Brent's patient and unassuming young doctor will step in at the finale to claim Marion's dance card. They Call It Sin doesn't need compromising situations, lewd dialogue or flashes of skin to weave its erotic spell -- Ms. Young does that on her own.

The four entertaining features in the Warner Archive Collection DVD-R of Forbidden Hollywood Volume 4 all look quite good, with only Jewel Robbery showing a few signs of wear. The WAC has dropped the 'newly remastered' banner on their boxes, probably because almost all of the WB and RKO pictures they're releasing require a new transfer anyway. The result is images better than the prints previously shown on TCM, with much clearer sound.

A nice boost for this collection is the inclusion of original trailers that allow us to see exactly what aspects of the films Warners felt were the most exploitable for advertising purposes. The only drawback to the MOD (Made on Demand) business model is that these collector's releases aren't normally encoded with English subs. Vintage Hollywood movie fans with hearing issues are locked out of the fun. It isn't just the WAC -- as a general rule, MOD lines from other studios and the TCM Vault also do without subs.

Den næste Forbidden Hollywood collection, Volume 5 is also out. I'll be getting to it very quickly. I still have about fifteen WAC Crime Does Not Pay short subjects to peruse!

On a scale of Excellent, Good, Fair, and Poor, Forbidden Hollywood Volume 4 rates:
Movies: Excellent & Good
Video: Good + (Jewel Robbery), Very Good (other 3)
Sound: Excellent
Subtitles: None
Supplements: Original Trailers
Packaging: Four discs in one keep case
Reviewed: August 21, 2012

DVD Savant Text © Copyright 2012 Glenn Erickson

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